A lot of us have this myth in our head that if we work hard and stay out of trouble, good things will come our way. That is a mistake. The truth is that it doesn’t work that way. Nobody is paying attention. The other part of it is that we typically wait for our annual review.  

Most people if they don’t get what they want, they build a strategy: To get their reel around and get a better offer, then go back to their current boss with that offer. The reason this doesn’t work is because if the employer gives you that money, they’re rewarding you for blackmailing them.

In this Podcast, Allan McKay shares some strategies that guarantee a pay rise without any risk, including how to make yourself irreplaceable and when the right time is to ask for a promotion.

For more show notes, visit www.allanmckay.com/279/.

2020 will go down in history as a big “What the Fuck?” Year! We’ve all experienced different things, but I don’t think many of us have had positive experiences. But to put things in perspective, we’re given an opportunity for a do-over. We’re all in this situation. When I realize that, it’s a bit more reassuring. How can we leverage things out? How can we turn this around?

Maybe we haven’t done as much, but there is always time to hit the reset button. This is so critical right now! There isn’t a better time to do something we’ve wanted to do -- than right now! If we haven’t utilized 2020 yet, we can still start tomorrow. In times of turmoil, some people or businesses shut down while others blossom. For those of us who’ve had some success in 2020, set your goals even higher. For those of us who’ve had a shitty year, use this opportunity -- to hit the reset button!

In this Podcast, Allan McKay reflects on the year 2020 -- it’s unprecedented challenges and impressive victories -- and gives advice on how to move forward in a positive, hopeful, productive way!

For more show notes, visit www.allanmckay.com/278/.

Connie Siu is the Writer and Director of short film Jeffrey. She holds an MBA from the Kellogg School of Management at Northwestern University, graduated cum laude from SFSU with a BA in Fine Art, and attended UCLA’s Producers Workshop Program. Connie is the former Chairman and co-founder of the San Francisco Chapter of Siggraph, the former Vice-Chair of the U.S. Sports Film Festival, and served as Executive Director of the Pre-Visualization Society. 

Jeffrey is a short film that was shot as a virtual production in 2020. It’s a love story whose main character Jeffrey repairs the Dead so they can move on to the Beyond. Due to a series of magical events, he meets a woman and for the first time experiences the innocence of first love. 

In this Podcast, Connie Siu is joined by the creative team behind Jeffrey:

• Virtual Lighting Supervisor Paul Debevec
• VFX Supervisor Joel Hynek
• Line Producer Allison Vanore
• Associate Producer Gena Kay 
• And Phil Galler and Poom Wattanapan of Lux Machina

In this Podcast, Allan McKay interviews Writer and Director Connie Siu and the creative team behind Jeffrey about the film’s innovations and challenges.

For more show notes, visit www.allanmckay.com/277/.

Originating from a very successful career as an advertising photographer, Mark Toia was coerced into directing TVCs by his clients. Being pursued by advertising agencies and production companies globally, he has a lengthy list of repeat business 8th the world’s largest companies that most could only dream of.

Mark’s prowess and success is due to his ability to reinvent himself over and over again. He’s always looking for new inspiration, constantly finding new technologies to aid his work and learning new crafts to help create images that have compelling screen presence, not to mention more on-screen value. After a decade of experience as a director of auto commercials, Mark has brought his expertise to feature films. His first feature Monsters of Man will premiere December 8th, 2020.

In this Podcast, Allan McKay interviews Mark Toia, the Director of Monsters of Man, about his insight and expertise directing, financing and distributing his first feature film, the future of virtual production and the myth of “a starving artist”.

For more show notes, visit www.allanmckay.com/276/.

Roman Belov is the Founder of KeenTools, a Blender add-on for 3D modelling of human faces and heads based on photos. The models can be used for sculpting, animation, tracking or anything else in Blender or facial tracking with FaceTracker in Nuke; or to be exported for further modifications in any other 3D software.

In this Podcast, Allan interviews Roman about the origins and development of this software, its current usage and its potential, as well as the future of cloud based innovations.

For more show notes, visit www.allanmckay.com/275/.

Michael Janda is an executive level creative leader with more than 20 years of experience in both in-house creative departments and agencies working with some of the greatest brands in the world.

In 2002, he founded the creative agency Riser, a nationally recognized agency creating high-profile work for clients including Disney, Google, ABC, Fox, Warner Bros., NBC, TV Guide and numerous other notable companies. In addition to his robust experience managing creative and marketing teams, Michael is the author of the book Burn Your Portfolio: Stuff They Don’t Teach You in Design School, but Should. Since its publication in 2013, Burn Your Portfolio has been one of the top selling books in the industry and has been published in English, Russian, Chinese Traditional and Chinese Simplified. His work and business has been featured by Print Magazine, HOW Magazine, Utah Business Magazine and BusinessQ Magazine, where he donned the cover of the December 2012 issue highlighting their article for Utah’s Coolest Entrepreneurs.

Tom Ross is the founder and CEO of Design Cuts in London, England. Tom and Mike started their Podcast Biz Buds, a value-packed weekly discussion during which they share their journeys from struggling freelancers to both running multi 7-figure businesses, and the lessons picked up along the way.

In this Podcast, Mike, Tom and Allan talk about working remotely, the most important set of skills for artists, successful branding, niching and how COVID-19 has affected the industry -- for the better!

For more show notes, visit www.allanmckay.com/274/.

Let’s talk about it once and for all: How to get paid by your client and how to avoid getting screwed over; and what to do if you do get screwed over. Artists often tell the sob story of, “Art doesn’t pay and you get screwed over”. But a lot of the time, you need to do things yourself from the beginning. It doesn’t have to do with just art. It’s true for any industry. So level up and get your business hat on!

All you want to do is do your artwork. But we do need to realize that we’re also running a business and we need to take those steps; to make sure we’re protected and we’re taking seriously.

In this Podcast, Allan McKay dives into a few key subjects of how to get paid by your client, what to do when they refuse to pay, and most importantly -- how to protect yourself ahead of time.

For more show notes, visit www.allanmckay.com/273/.

With wisdom from the best and the brightest in the industry, The VES Handbook is a visual effects bible that belongs on the shelf of anyone working -- or aspiring to work -- in VFX. The book covers techniques and solutions all VFX artists, producers, and supervisors need to know, from pre-production, to digital character creation and compositing of both live-action and CG elements. 

In-depth lessons on stereoscopic moviemaking, color management and digital intermediates are included, as well as chapters on interactive games and full animation authored by artists from EA and Dreamworks respectively. Written by 88 top leading visual effects practitioners and covering everything about visual effects from pre-production, production, and post-production, The VES Handbook is a must-have book for every VFX artist.

In this Podcast, Allan McKay interviews a panel of leading VFX Supervisors who have contributed their expertise to the 3rd Edition of The VES Handbook, along with the Co-Editor and the Chair of the VES Society Jeff Okun about the current and future state of the industry.

For more show notes, visit www.allanmckay.com/272/.

Quixel Megascans is a massive online scan library of high-resolution, consistent PBR calibrated surface, vegetation and 3D scans, also including desktop applications for managing, mixing and exporting your downloaded scan data. It’s the product of 5 years of scanning and is a collaboration with top game and film studios worldwide.

Quixel was founded in 2011 by Teddy Bergsman and Waqar Azim based on the vision of substantially speeding up how creators build digital environments, by giving them access to a vast and ever-expanding library of 3D building blocks and easy-to-use tools to greatly simplify the creative process.

In this Podcast, Allan interviews Teddy Bergsman about the history of the company, its tools and acquisition by Epic Games; as well as the impact and the future of machine learning.

For more show notes, visit www.allanmckay.com/271/.

Crafty Apes is a full service, boutique VFX company based in Culver City, CA & Atlanta, GA. The company was launched in July of 2011 by three visual effects veterans Jason Sanford, Chris LeDoux and Tim LeDoux. Believing that strong 2D compositing is the backbone behind quality visual effects, Crafty Apes was formed to primarily offer high-end compositing services for feature films and television clients. 

Crafty Apes specializes in compositing effects and visual effects supervision. By paying extra attention to the detail and integration that 2D work requires and by working with the best technology available spread among a select group of artists, Crafty Apes can deliver a superior product to higher end clients in a shorter time period.

Their recent credits include: The Babysitter: Killer Queen, Lovecraft Country, Doctor Strange, Hidden Figures, Lalaland, Fist Fight, Pete's Dragon, Captain America: Civil War, Killing Reagan, Neighbors 2: Sorority Rising, Dirty Grandpa, Allegiant, Insurgent, Avengers: Age of Ultron, Black Mass, The 33, Foxcatcher, 12 Years a Slave, American Hustle, The Monkey King, White House Down, Single Mom's Club, The Last Stand, A Madea's Christmas and many more.

In this Podcast, Allan McKay speaks with Executive Producer Matt Akey and VFX Supervisor Aldo Ruggiero at Crafty Apes about the future of the VFX industry post the novel coronavirus, the new technological demands, artistic trends and innovations. 

For more show notes, visit www.allanmckay.com/270/.

Andrey Lebrov is a CG and VFX Director, as well as a Co-Founder of Out of Nothing, Ltd.

Andrey was born in Ukraine, raised in Liepaja, Latvia. He began working as a freelancer at the age of 15 as a Photoshop Artist. He eventually immigrated to the U.K. to pursue better opportunities in visual effects. Andrey is a self-taught CG Artist. He launched his YouTube Channel to share what he’s learned in CG and cinematography.

In this Podcast, Andrey shares his journey of learning, perseverance and success as a CG and VFX Artist.

For more show notes, visit www.allanmckay.com/269/.

Writer, Director, Producer HaZ Dulull started as a VFX Artist on feature films such as The Dark Knight and Hellboy 2. He quickly progressed to a VFX Supervisor role and was nominated for several VES awards on shows like Planet Dinosaur (BBC) and America: The Story of US (Discovery). His creativity and smart approach to production also led him to become a VFX Producer on series like Poldark Season 1 and The Aliens.

In between VFX jobs, HaZ created a number of short films. His shorts Project Kronos, I.R.I.S and Sync all tapped into his love for grounded sci fi and served as proofs of concept for feature films. They also became internet sensations, launching his career as a visionary filmmaker. His debut feature film The Beyond, which he wrote, directed and produced, was released by Gravitas Ventures in January 2018 on all digital platforms.

HaZ's second feature (which he co-wrote, directed and co-produced) 2036 Origin Unknown, is a sci fi thriller starring Katee Sackhoff. The film enjoyed a limited theatrical release in the US before being released digitally in the summer of 2018. Early in 2018, HaZ also directed four episodes of the Disney action-comedy, 8-part limited series Fast Layne. He also serves as a creative consultant on the series. In 2020, Haz has released a short film Battlesuit and has been in production for Mutant Year Zero, four quadrant action adventure, based on the popular video game of the same name.

In this Podcast, Allan McKay interviews Filmmaker HaZ Dulull about his beginning as a VFX Artist and how that knowledge helped him into directing, how he learned on the job, the importance of thinking as a producer, the secret to getting sponsorship for your projects -- and so much more!

For more show notes, visit www.allanmckay.com/268/.

Gerald Undone is a YouTube creator whose channel is dedicated to different technologies used in the creative process. He tests a variety of tech and gadgets, reviews those products from a value perspective and provides tutorials and guides for content creation using that same gear.

In this Podcast, Gerald Undone shares his experience with building a successful YouTube channel, finding a like minded community of creatives, the importance of narrowing down your brand and having side passions.

For more show notes, visit www.allanmckay.com/267/.

Instagram is the number one platform to get exposure and to build your name, to build a following and to get known, and of course, to land clients as well. But how do you take advantage of this if no one is seeing your posts? If you’re posting with bad hashtags, your posts are going to get pushed to the side. A lot of us like using lots of hashtags, but that means that our posts will get lost in the shuffle because some of the hashtags weren’t laser focused -- while the right hashtags will increase visibility. That’s what you need to realize:

Hashtags are everything!

In this Podcast, Allan McKay breaks down the science of using hashtags and the secret to how to build successful posts. Hashtags: What they are, why you need them and how to use them as a frigging ninja!

For more show notes, visit www.allanmckay.com/266/.

Looking back at the beginning of his own career, Allan examines what he should’ve done differently: Instead of sending out his reel over and over, he could’ve been asking for feedback: “I realize my reel sucks. Tell me what an ideal reel would be to you.”

The key factor here is empathy. By putting yourself in someone else’s shoes, you’re able to get the most wins. You’re able to start thinking differently: What is it like for them? What are their needs? And what are their pain points? As soon as you put yourself in the shoes of the other person -- look at what they want, what they need and like -- it will help you get better at what you’re doing.

In this Podcast, Allan talks about the power of empathy: How to put yourself in someone else’s shoes and identify their needs -- and how to make empathy work for you! 

For more show notes, visit www.allanmckay.com/265/.

American author, game designer, graphic novelist and screenwriter Jordan Mechner is best known as a pioneer of cinematic storytelling in the video game industry and as the creator of Prince of Persia, one of the most successful and enduring video game franchises of all time. His other games include Karateka, The Last Express, Prince of Persia 2: The Shadow and the Flame, Prince of Persia: Sands of Time.

Karateka was published by Broderbund in 1984 and became a #1 bestseller. One of the first games to combine arcade action with realistic animation and cinematic storytelling, it created a new template that other early fighting games would follow. Inspired by the 1,001 Nights tales he had known as a child, Mechner completed Prince of Persia for the Apple II in 1989. Published by Broderbund and subsequently adapted onto nearly every computer and console platform of the 1990s, Prince of Persia is recognized as a major influence in the development of the action-adventure video game genre.

In 2001, Mechner joined forces with Ubisoft to reinvent his decade-old, best-known classic for a new generation of console gamers. Developed at Ubisoft's Montreal studio with Mechner as game designer, writer, and creative consultant, Prince of Persia: The Sands of Time was a breakout hit of 2003, winning two Game Developers Choice awards and sweeping the 2004 Interactive Achievement Awards (DICE) with 12 nominations and 8 awards. Its success relaunched Prince of Persia as a global franchise including toys, graphic novels, LEGO sets, and over 20 million games sold to date.

In 2010, Mechner became the first game creator to successfully adapt his own work as a feature film screenwriter with Disney’s Prince of Persia. Mechner received screen story and executive producer credit. With box-office receipts of $335 million worldwide, Prince of Persia set the record for the world's highest-grossing video game film adaptation until 2016.

In this Podcast, Allan deconstructs his previous Podcast with Jordan Mechner, the Creator of Prince of Persia -- and the actionable steps you can apply to your creative career.

For more show notes, visit www.allanmckay.com/264/.

Because of the change that’s happening due to COVID-19 and quarantine, a lot of us had to shift to working from home. The day that the quarantine happened, everyone started to shut down. It got scary for a minute. But it’s really interesting how every studio was able to pivot and adapt to what was going on. And this is not just visual effects. This is worldwide! It’s reflecting on everything. The entire world had to learn to roll with the punches. 

The advantages are that you’re no longer stuck in a city where you have to work. That means you don’t have to live in an expensive city. You can move to cheaper cities or countries. That also means that those of you that didn’t have an opportunity to work for ILM before, you now have a chance to do that. You don’t need a work visa. Bit by bit, things are becoming global.

In this Podcast, Allan takes a look at the consequences of having to work from home post COVID-19, breaks down different ways VFX artists can make it happen and the positive outcomes of transitioning into a truly global industry.

For more show notes, visit www.allanmckay.com/263/.

Chris Nichols is the host of CG Garage and Martini Giant Podcasts. He is a CG veteran and Director of Chaos Group Labs. 

In 2015, Chris founded the Wikihuman project, a first-of-its-kind panel of academic and industry experts to explore the combination of art and technology in creating a believable digital human. With a background in both VFX and design, Nichols has worked for Gensler, Digital Domain, Imageworks, and Method Studios. His credits include Maleficent, Oblivion, Tron: Legacy. 

Chaos Group is a worldwide leader in computer graphics. They create technology that helps artists and designers create photoreal imagery and animation for design, television, and feature films. Chaos Group’s physically-based rendering and simulation software is used daily by top design studios, architectural firms, advertising agencies, and visual effects companies around the globe. 

In this Podcast, Chris and Allan talk about digital humans, virtual production, the effects of COVID-19 on the industry and the evolution of their Podcasts.

For more show notes, visit www.allanmckay.com/262/.

What if you had control over your time? What if you could track it and adjust your behaviors to increase your productivity? This system, developed by Allan McKay, takes about 5 minutes a day to do. It’s something that’s been adjusted and perfected over many years.  

In this Podcast, Allan McKay shares an every-day organizational system that he’s developed to increase his productivity, as well as the daily nine questions he asks to manage himself better.

For more show notes, visit www.allanmckay.com/261/.

Rosana Sullivan is a Director, Storyboard Artist, Writer, and Executive Producer. Since 2011 she has worked for Pixar Animation Studios. In 2019 she wrote and directed her first animated short film, Kitbull, for which she received a nomination for the Academy Award for Best Animated Short Film at the 92nd Academy Awards.

Sullivan worked as a lead character designer at Ooga Labs and a 2D artist at Kabam before joining Pixar Animation Studios in 2011. With Pixar, she has contributed to the 3D animated films Monsters University, The Good Dinosaur, Piper, and Incredibles 2. She was nominated for a 2015 Annie Award for outstanding achievement in storyboarding in an animated feature production for her work on The Good Dinosaur.

In February 2019 she wrote and directed her first animated film, a nine-minute traditionally animated short called Kitbull, which is part of the SparkShorts series. In April 2019 she published an autobiographical picture book, Mommy Sayang, describing the life of a girl and her mother in a Malaysian village. This story, along with others that she has written, was inspired by her mother's roots in Malaysia.

In this Podcast, Rosana gives insider tips on making a successful demo reel, talks about having side passion projects and braintrust for creatives, as well as her experience working at Pixar and her Oscar nominated short film Kitbull.

For more show notes, visit www.allanmckay.com/260/.

Rise FX was founded in 2007 by Sven Pannicke, Robert Pinnow, Markus Degen and Florian Gellinger in Berlin. Today, this award-winning company -- with offices in Berlin, Munich, Stuttgart, Cologne -- has roughly 100 permanent staff members in addition to 100 freelance artists, which makes it one of the biggest VFX studios in Central Europe.

Rise FX acts as collaborator for episodic series, as well as television and feature film, from early concept to mastering, concept art and previs, every day on set, during effects production and animation, as an advisor for the Digital Intermediate process. Rise FX has partnered with directors like Tom Tykwer (Babylon Berlin, A Hologram for the King, Cloud Atlas), Guy Ritchie (The Man from U.N.C.L.E.), Gore Verbinski (A Cure for Wellness), studios like Marvel (Captain America 1-3, Iron Man 3, Doctor Strange, Guardians of the Galaxy), Netflix (Dark), Sony Pictures (The Dark Tower), Europacorp (Renegades). It also produces more and more animated features (Richard the Stork, Dragon Rider). Its sister production company Rise Pictures develops its own original content and co-produces films and series for an international audience.

In this Podcast, Allan McKay interviews Rise FX’s Supervisors Andreas Giesen and Korbinian Hopfner about the secret to a great reel, the importance of starting out as a generalist, the soft and hard skills crucial for a successful VFX Artist, and much more.

For more show notes, visit www.allanmckay.com/259/.

Emmanuel Shiu is a Concept Designer and Illustrator for film and video games. His credits include films Godzilla: King of the Monsters, Pokémon Detective Pikachu, Blade Runner 2049 , Ready Player One; The Amazing Spider-Man 2, Cloud Atlas, Star Trek: Into Darkness, Looper, Superman Returns and Hellboy; and video games including Lost Planet 3, Star Citizen and Destiny 2.

Emmanuel began his career in CG as a Generalist at Lucasfilm. He then went on to work as a Matte Painter and Matte Painting Supervisor at The Orphanage, and as a Concept Artist at ImageMovers Digital.

In this Podcast, Emmanuel talks about the importance of creating your personal art, as well as gives tips on how to build and maintain professional relationships and how to leverage your skills in a new career or specialty.

For more show notes, visit www.allanmckay.com/258/.

To work in another country or to get a work visa, you need to qualify for it. Before an employer can hire you, you have to fit the criteria to get the work visa in the first place. Most of us realize that when it’s too late: When you need the job, or even have the job offer -- but we don’t qualify for the visa. Then it’s back to square one.

So how do you go about getting a work visa, to work and live in the U.S.? if you’re from a different country, there is a lot of complexity around it and it’s good to understand how this works. In this Podcast, Allan shares his expertise with several types of U.S. visas: how they work, the qualifications you need and what you can do right now, to be proactive with your visa application.

For more show notes, visit www.allanmckay.com/257/.

Just because you send in your demo reel doesn’t mean that it’s going to be seen by anybody. Even if it does, who says it will be watched all the way through? Most reels are skipped over just because there is one wrong thing on there. We don’t realize that the people reviewing the reels at first may not know much about your industry, or discipline, or the talents you have. They just enter your reel into a database, and when it’s time to hire specific talent, they load up hundreds of reels and forward them to those people who are going to review them. This means that it’s critical to rise above the noise, make your reel stand out and be able to demonstrate that you have the talent above everyone else on that spreadsheet. 

When your reel gets to the decision makers, it comes down to this: They have little information to go by and have lots of reels to review. So there are multiple reasons why your reel could be skipped over. People who are in disbelief about this have their own resistance. But for those of us who actually want to get a job, we have to know the situation and put in the work.

In this Podcast, Allan McKay goes over the anatomy of a killer reel -- from which shots should be on your reel to how long it should be, which crucial information should be included and which items are of little importance -- everything that will help you get that first job as a VFX artist.

For more show notes, visit www.allanmckay.com/256.

People are afraid of being judged but it’s little things that build up over time: For example, if you’re shy, try going out to a bar and talking to people. These are little things you could do to get out of your comfort zone and push through your pain points. It takes trial and error.

If it scares you -- that’s good! That means that the more you do this, the less it will scare you. More importantly, you’ll get better at that thing because you’ll have more data to go on. You will know what worked and what didn’t. It’s the feedback that will help you grow. Part of that is not being afraid to experiment. That’s what will help you get better. The more data you have, the more you’ll be able to tweak things.

It’s all about trying new things and seeing what works and what doesn’t. Look at everything as data!

In this Podcast, Allan talks about experimentation, how to use it to get you out of your comfort zone and to provide data for your growth and success.

For more show notes, visit www.allanmckay.com/255/.

This Podcast is in response to someone’s message, “How do I get things done? And how do I stay motivated?” You have to start thinking like a producer. You have to ask yourself the questions, “Where can my time go so I get more bang for my buck? Where can I make the most amount?” It’s about making decisions on where the core of your time goes and what’s your Return On Investment (ROI) is.

The more you question these things, the more creative you get. There are different ways you can leverage things to your advantage. You’ll start to look at your habits and realize where you’re leaking time -- and coming up with solutions.

In this Podcast, Allan answers the crucial question of, “How do I stay motivated?” by tackling the bigger question of what your bigger purpose is -- your WHY -- and also gives a few hacks to get a lot more done in your day.

For more show notes, visit www.allanmckay.com/254/.

Marc Rienzo is a Director, VFX Supervisor and Artist. He has over 20 years of experience of working in visual effects, including for studios like Marvel, Disney, ILM, Weta Digital, Digital Domain, Sony Imageworks, and PDI Dreamworks. He’s been a creative Nuke Artist for 18+ years in both film and commercials.

Marc has worked on multiple projects including Spider-Man: Far from Home, Thor: Ragnarok, TRON: Legacy, Rogue One: A Star Wars Story, Mulan; I, Robot; Beasts of No Nation and many others. His work has received several nominations from the Visual Effects Society.  

In this Podcast, Marc talks about his experience as a VFX Artist and Supervisor, his past and current projects, and the importance of hard and soft skills for an artist.

For more show notes, visit www.allanmckay.com/253.

There are mixed feelings around the topic of a formal college education versus online courses. Colleges are really expensive and they tend to not be pushing the envelope in terms of what you can do. When you invest in yourself, you want to have access to the best people in the world on any given subject. You want to learn the condensed version of their knowledge in a limited amount of time. Also, it could be cheaper by a thousand times than going to a college.

In this Podcast, Allan addresses a very common question: the pros and cons of college versus online education -- and how to pick the best learning route for yourself.

For more show notes, visit www.allanmckay.com/252.

Have you ever reached out to someone and asked them for help -- and never gotten a response? This Podcast is about how to get a better result: How do you get people to want to invest in you, especially when they’re busy?

When you approach someone, you have to put in the effort to demonstrate that you’ve put the thought into it yourself -- and that you’re committed and that you will see it through. The more you do that, the more the other person is going to come onboard.

In this Podcast, Allan talks about how to approach busy and successful people, how to establish an authentic relationship with them that makes them invest in you enough -- to help you.

For more show notes, visit www.allanmckay.com/251/.

It is so critical to know when you are reaching out to people who are extremely busy. If you put yourself in the other person’s shoes when you communicate with them -- and understand how they’re going to react -- that’s worth its weight in gold. And it helps you communicate better with them, knowing what their needs and problems are.

It’s something you have to be strategic about:

- How do you get their attention?
- How do you get them to read your message?
- And most importantly, how do you get them to respond?

In this Podcast, Allan McKay talks about the subject of how to contact hard-to-reach people -- Heads of studios, HR Managers -- and gives tips on how to get them to respond.

For more show notes, visit www.allanmckay.com/250/.

Louis Castle Louis Castle is a prolific American video games designer. He is known for co-founding Westwood Studios and for his work on the Command & Conquer real-time strategy series. In 2017, he became the head Amazon Game Studios Seattle.

As the co-founder of Westwood Studios, Louis was instrumental in the launch of the C&C series, one of the leaders in the 1990s RTS boom. He co-founded Westwood Studios in 1985. After its purchase by EA in 1998, he held various senior positions at that company. In 2008, he collaborated with Steven Spielberg on the Boom Blox and Boom Blox Bash Party video games for the Nintendo Wii console, based on Spielberg’s design ideas. Since 2010, Louis held a number of roles, including at GarageGames and Zynga. 

Louis Castle is a BAFTA and GDC Lifetime Achievement Award winner.

In this Podcast, Louis talks about founding Westwood Studios, the games he’s created throughout his impressive career, as well about the importance of passion, fearlessness and perseverance in an artist’s career.

For more show notes, visit www.allanmckay.com/249.

Maxon Computer is a leading developer of 3D software best known for its flagship 3D modeling, painting, rendering and animation software Cinema 4D. Red Giant is a creator of unique tools for editors, VFX artists, and motion designers. In December 2019, the two companies reached an agreement to merge under the media and entertainment division of Nemetschek Group to better serve the post production and content creation industries.

Maxon and Red Giant are well known and established in the digital content creation (DCC) industries, and share synergies in philosophy and long-term goals. Both companies have earned a peerless reputation for the quality and accessibility of products, and uncompromising commitment to service and support of the artistic community. 

Maxon was formed in 1986 with a passion for providing extremely powerful, though exceptionally accessible 3D software solutions. Artists across the globe rely on Maxon products to create cutting-edge visuals. In April of this year, Maxon acquired Redshift, developer of the GPU-accelerated Redshift render engine. 

Since 2002, Red Giant has built its brand through award-winning products such as Trapcode, Magic Bullet, Universe, PluralEyes and its line of innovative visual effects software. Their unique, industry-standard tools are staples in the fields of film, broadcast, and advertising. Red Giant has differentiated itself in the industry through its artist-driven approach to software creation and its popular training and award-winning short films.

The two companies provide tools for a who's who of production companies including ABC, CBS, NBC, HBO, BBC, Sky, Fox Networks, Turner Broadcasting, NFL Network, WWE, Viacom, Netflix, ITV Creative, Discovery Channel, MPC (Moving Picture Company), Digital Domain, VDO, Sony, Universal, The Walt Disney Company, Blizzard Entertainment, BMW, Facebook, Apple, Google, Vitra, Nike and many more.

In this Podcast, Allan McKay interviews Global Head of Community and Customer Experience Paul Babb and Aharon Rabinowitz, Global Head of Digital Experience, about the history and merger of the two companies, their leading products and subscriptions and the upcoming trends.

For more shownotes, visit: www.allanmckay.com/248/

Todd Sheridan Perry works in the film industry as a freelance VFX Supervisor / CG Supervisor as well as digital artist, screenwriter, editor and director. He is a classically trained artist, as well as both a traditional and digital animator. His diverse background in video games, film and television has led him to play key roles in projects ranging from Lord of the Rings: The Two Towers to Final Destination 5, The Immortals, Men In Black 3, Total Recall, Resident Evil 5 and Avengers: Age of Ultron. Todd has also worked as a CG Supervisor on Marvel’s Doctor Strange – a project nominated for a Best Visual Effects Oscar.

Todd has been animating since he was 8 years old, inspired by Star Wars, but his professional career began when he moved to Los Angeles in 1995. A couple years later, riding the wave as visual effects migrated from optical to digital, he started the visual effects house Max Ink Cafe with multi-award winning producer Jennifer Champagne. Todd has been awarded an Emmy for his work on the mini-series The Triangle, while working with award-winning supervisors Volker Engel and Marc Weigert. He was also nominated for a VES Award for The Kite Runner with CafeFX. While at CafeFX, he also acted as Lighting Supervisor on Frank Darabont’s take on the Stephen King short story The Mist.

Todd has contributed articles to Animation Magazine for the past 15 years. With over 500 article reviews on both software and hardware used in the visual effects industry, he’s been able to keep abreast of the developing technologies that contribute to visual effects. Todd is working on numerous personal short films and animation projects through his visual effects company, TeaspoonVFX, and has been consulting on screenplays and development for multiple features.

In this Podcast, VFX Supervisors Todd Sheridan Perry and Allan McKay discuss the industry-wide impact of Covid-19 and its consequences; and how working remotely has proven itself to be effective for both artists and studios, during the transition and going forward.

For more information, visit www.allanmckay.com/247/.

Looking back at the beginning of his own career, Allan examines what he should’ve done differently: Instead of sending out his reel over and over, he could’ve been asking for feedback: “I realize my reel sucks. Tell me what an ideal reel would be to you.”

The key factor here is empathy. By putting yourself in someone else’s shoes, you’re able to get the most wins. You’re able to start thinking differently: What is it like for them? What are their needs? And what are their pain points? As soon as you put yourself in the shoes of the other person -- look at what they want, what they need and like -- it will help you get better at what you’re doing.

In this Podcast, Allan McKay talks about the power of empathy: How to put yourself in someone else’s shoes and identify their needs -- and how to make empathy work for you!

For more show notes, visit www.allanmckay.com/246.

Looking at other people’s work can be really inspiring. If you’re looking at it from a place of “Where I want to go” -- rather than comparing yourself to everyone else -- you’re going to be fine. If, however, you’re looking at everyone else and thinking, “Why aren’t I there?”, that could be a problem. We shouldn’t compare ourselves to everyone else. You don’t know what struggles they’ve had. You only see the end result but not what it took to get there

In order to not get overwhelmed, it’s important to set goals. Figure out where you want to be. Figure out what your ideal job and life would be like when you get to that point. Once you get clarity on that, you can start eliminating what you don’t want. The more you know what you want, the more you can eliminate what you don’t want and to recognize the opportunities when they line up.

In this Podcast, Allan McKay talks about how to keep focused on your goals without getting overwhelmed, how to use other people’s wins as inspiration, and gives you actionable steps to continue succeeding.

For more show notes, visit www.allanmckay.com/245.

American author, game designer, graphic novelist and screenwriter Jordan Mechner is best known as a pioneer of cinematic storytelling in the video game industry and as the creator of Prince of Persia, one of the most successful and enduring video game franchises of all time. His other games include Karateka, The Last Express, Prince of Persia 2: The Shadow and the Flame, Prince of Persia: Sands of Time.

Mechner began his career as a video game creator in the 1980s in high school in Chappaqua, New York, on a 16K Apple II computer bought with his earnings producing and selling Mad Magazine-inspired comics and drawing caricatures at local fairs. He developed and programmed his first game Karateka, while a student at Yale University. Inspired by his film studies and vintage Disney animation, Mechner developed a rotoscoping process to capture Super 8 film footage of his friends and family members, a first step toward the motion capture technology widely used in today's video games. Karateka was published by Broderbund in 1984 and became a #1 bestseller. One of the first games to combine arcade action with realistic animation and cinematic storytelling, it created a new template that other early fighting games would follow

After graduating from Yale, Mechner upgraded from 8mm to VHS to create the rotoscoped animation for his next game Prince of Persia. Inspired by the 1,001 Nights tales he had known as a child, Mechner completed Prince of Persia for the Apple II in 1989. Published by Broderbund and subsequently adapted onto nearly every computer and console platform of the 1990s, Prince of Persia is recognized as a major influence in the development of the action-adventure video game genre.

In 2001, Mechner joined forces with Ubisoft to reinvent his decade-old, best-known classic for a new generation of console gamers. Developed at Ubisoft's Montreal studio with Mechner as game designer, writer, and creative consultant, Prince of Persia: The Sands of Time was a breakout hit of 2003. Its success relaunched Prince of Persia as a global franchise including toys, graphic novels, LEGO sets, and over 20 million games sold to date

In 2010, Mechner became the first game creator to successfully adapt his own work as a feature film screenwriter with Disney’s Prince of Persia produced by Jerry Bruckheimer and starring Jake Gyllenhaal, Gemma Arterton, and Ben Kingsley. Mechner received screen story and executive producer credit. With box-office receipts of $335 million worldwide, Prince of Persia set the record for the world's highest-grossing video game film adaptation until 2016.

A lifelong journal-keeper, Mechner has published his game development diaries from the 1980s -- The Making of Karateka and The Making of Prince of Persia -- along with Prince of Persia's Apple II source code — lost for 20 years, then found in 2012 on a set of 3.5" floppy disks. Mechner's books include the 2013 New York Times best-selling, Eisner Award-nominated graphic novel Templar, a swashbuckling adventure about the historical Knights Templar, illustrated by LeUyen Pham and Alex Puvilland.

Mechner's work as an author, screenwriter, and filmmaker, along with his video games, reflects his passion for deep historical research and world-building, and interest in time and memory. In this Podcast, game designer, graphic novelist and screenwriter Jordan Mechner shares his experience as a multihyphenate, the ups and downs of the creative process, how to make production constraints work in your favor -- and his experience creating Karateka, Prince of Persia and other projects.

For more show notes, visit www.allanmckay.com/244.

How confident are you that your reel is going to stand out of thousands of reels? Where do you stand in that spectrum?

This is the big problem: We just send in our reel and we feel that someone owes us a job. And then we get upset when we get rejected. We get frustrated when we don’t get a call. When everyone is applying for the same position on the website, maybe you should be going against the grain.

In this Podcast, Allan McKay talks about ways to stand out when applying for a job -- how to think outside the box -- and gives you actual strategy tools to have a better change of getting hired.

For more show notes, visit www.allanmckay.com/243.

There may be things in your life that you find to be a fun hobby. And you think, there is no way in the world to make money at it! And maybe 3D is just a hobby and we tinker with it on the side. But for a lot of us, we call it a hobby because we don’t think there is any chance in the world we could make a living at this thing. A lot of the time, we convince ourselves not to do something because there are so many people out there doing it. So why should we?

A lot of times when you think of your hobby, you think no one would buy your product. But if you find something you are passionate about, you could go to make a living at it. Whenever I meet people who say, “No one would pay me to do this thing”, all I have to say is the person who invented a Pet Rock is a millionaire. There is so much opportunity out there! If you’re interested in something, surely there will be other people who would be interested as well.

So look at your long term goals: How happy are you going to be 5 years from now? What if you went after your passion? What if you started to say, “This is the year I’m going to try!” Make that commitment to yourself to buckle down, build a plan and try?

For more show notes, visit www.allanmckay.com/242.

In the beginning of our career, we’re really hungry and we want to learn everything: all the tutorials, all the training, we want to learn every part of what we’re doing. However, after we get that first job, everything tends to stop. We think that we’ve made it and we don’t need to continue learning anymore.

And a lot of the time, it’s the soft skills that we tend to neglect: Leadership skills, productivity, managing time and business mindsets. It’s only 11% of professionals who continue to seek knowledge after they begin their career. They are the ones who become the industry leaders and go on to have fruitful careers.

In this Podcast, Allan McKay explains why he invests in his learning every year, how much he spends on training -- and how to get the most out of your money and your courses.

For more show notes, visit www.allanmckay.com/241/.

Christian Alzmann is a Concept Design Supervisor at Lucasfilm who created the concept drawing for Baby Yoda, along with several other main characters on The Mandalorian. He studied illustration at the Art Center College of Design in Pasadena. Upon graduating he was immediately hired into ILM's Art Department where he eventually became a Senior Art Director.

Since then, Christian has worked on numerous film projects including A.I., Men in Black 2, Van Helsing, Pirates of the Caribbean, Star Wars Episode Two, War of the Worlds, the fourth installment of Indiana Jones, Transformers and Terminator Salvation.

As a visual storyteller Christian has also illustrated book covers for Science Fiction and Fantasy novels. His clients include Harper Collins, Penguin Books, IDG and Future Publishing. Christian's artwork has been featured in Star Wars Mythmaking: Behind the Scenes of Attack of the Clones, Van Helsing: The Making of the Legend, Inside Men in Black II, Exposé.

In this Podcast, Christian talks about the importance of studying the fundamentals as an artist, how to reach your dream job, how to communicate with clients -- and shares his experience working on The Mandalorian’s Baby Yoda, as well as several other projects.

For more show notes, visit www.allanmckay.com/240/.

Szymon Biernacki is a Freelance Visual Development and Concept Artist based in Poland. He is currently an Art Director at Spa Studios. His credits include being a Production Designer on the movie Klaus.

In this Podcast, Szymon shares his insight on becoming a full-time artist, switching careers; the challenges of being a freelancer and working remotely; the hard and soft skills of being a Production Manager; as well as his experience of working on Oscar-nominated animated feature.

For more show notes, visit www.allanmckay.com/239/.

Corridor Digital is Visual Effects Studio based in Los Angeles. They’re best know for creating short-form viral videos, as well as producing and directing the web series Rush and YouTube Red’s Lifeline. The company has also create tv commercials for companies like Google and Machine Zone. 

Founded in 2009 by Sam Gorski and Niko Pueringer, the company now produces five YouTube Channels. The Corridor Digital Channel alone has 7 million subscribers. It has won awards at several Streamys, including the "Visual and Special Effects Award" in 2017. Their second channel Corridor Crew consists of behind-the-scenes content and has over 3 million subscribers. In 2019, Sam Gorski co-authored Top 10 Games You Can Play In Your Head, By Yourself.

In this Podcast, Allan McKay interviews the Corridor Digital Co-Founder Niko Pueringer and Video Director Wren Weichman about the origins of the company, the importance of having the business mentality, the value of creative control and the stories behind some of their viral videos.

For more show notes, visit www.allanmckay.com/238/.

Ben Burns is a brand strategist, an award-winning designer and an expert in user experience. As the Digital Director of Blind, he oversees the intersection of design and technology in all client work. He is also the Chief Creative Officer at The Futur.

Prior to joining the team at Blind, Ben founded Burnt Creative, a brand experience agency in Richmond, Virginia. He also served on the executive board of the Richmond AIGA chapter as Vice President. 

He received his BA in Media Arts with a focus on New Media from the University of South Carolina and a Masters Certificate in Cyber Security from Armstrong Atlantic University. Since then, Ben has enjoyed working with brands like DreamWorks, Paramount Pictures, AMC, TBS, (Olympic) Team USA, Laika, Hyatt, as well as several exciting startups. 

Ben is a veteran having served 5 years in the Army National Guard, earned the rank of Sergeant. In a brief intermission from the creative sphere, he also spent a few years chasing drug dealers as a decorated Narcotics Agent with a multi-jurisdictional narcotics agency.  

In this Podcast, Allan McKay interviews the CCO of The Futur Ben Burns about the importance of niching down and becoming a successful brand, the insight to building relationships and the three most common pain points for creatives.

For more show notes, visit www.allanmckay.com/237/.

One of the big frustrations that we all have is -- we want more money. Anytime we want a pay bump, we have to wait for our annual review and see if we get a salary increase at our main job. Yet we spend our spare time doing something more creative because we aren’t being challenged at work. We go home to do the work that we find fulfilling in the first place.

This Podcast is about is ways to leverage that creative outlet. If you’re already doing something you’re passionate about, here is your chance to turn it into a small business; one that you can automatically run and get some pocket money. What would you do with an extra $1,000 a month?

In this Podcast, Allan McKay gives actionable tips for building your side hustle and teaches how to leverage your current skills to make money on the side.

For more show notes, visit www.allanmckay.com/236/.

Seth C. Polansky, a contracts, intellectual property and start-up specialist founded his professional firm in 2005. Seth Polansky LLC is a small law firm specializing in art, contracts, corporate, and general personal affairs. Based in Silver Spring, Maryland, Seth Polansky LLC accepts clients from around the world regarding contract, art and IP issues.

As an adviser and counselor to business, Seth has repeatedly negotiated successful outcomes with domestic and international entities – including the US government, UK government and multiple state agencies. He has counseled small businesses and artists in securing copyright, trademark and other intellectual property protection, and aided them in navigating contracts. He has helped countless families by securing their peace of mind through wills, trusts and prenuptial agreements, and has offered assistance with disputes.

His professional highlights include being a General Counsel for Cellcrypt, a multinational conglomerate and leading provider of voice encryption technology; working as a Director of Contracts for one of the world’s largest tech companies CSC; and serving as a Deputy General Counsel for The GAVI Fund, a nonprofit funded by the Bill and Melinda Gates Foundation.

Seth is a LinkedIn Learning author. He teaches a Contracting for Creatives Course on Lynda.com. He is also an Executive Producer of documentary Eye of the Beholder: The Art of Dungeons and Dragons.

In this Podcast, Seth talks about the most common mistakes artists make in negotiating contracts, explains what makes a valid contract -- and gives resources for one; breaks down the rules of fair use, covers some of the IP laws and many other topics.

For more show notes, visit www.allanmckay.com/235/.

The mission of Monsters Aliens Robots Zombies (MARZ) is to deliver feature-film quality visual effects on television timelines by harnessing GPU clusters, game engine technology, AI and senior industry talent. Leveraging these pillars allows us to consistently execute with both speed and quality for our premium television projects.

Lon Molnar is the Co-President of MARZ. With more than 20 years of experience, Lon has contributed a vast amount of visual effects to film and television as an artist, VFX Supervisor, and former CEO of the award winning VFX company Intelligent Creatures.

Inspired by the magic of Toy Story, Lon attended the Vancouver Film School with the single goal of opening up his own VFX studio. As he built his resume, he became dissatisfied with working on VFX for tv, and set his sights on feature films. He became a VFX generalist, working in animation, lighting, compositing and modelling, while using a vast array of software. After serving as the CG Supervisor on the groundbreaking films Chicago and The Cell, he fulfilled his earlier dream and opened up Intelligent Creatures in 2002. Working with talented creators like Mark Forster, Darren Aronofsky, Alejandro González Iñárritu, David Tattersall, Oliver Stone and others, Lon quickly built the Toronto-based VFX house into an award-winning studio.

Intelligent Creatures lent its creativity to dozens of projects such as Mr and Mrs Smith, The Witch, and Babel. They built robust pipelines to tackle critically-acclaimed projects, such as the Watchmen's famous Rorschach mask of moving inkblots. Some of their later work, such as the award-winning series Orphan Black and the Emmy-nominated Curiosity: Battlefield Cell pushed the boundaries of visual effects on TV

Fifteen years after the formation of Intelligent Creatures, Lon recognized that unlike when he had started in the industry, TV was no longer the "lesser" medium for VFX. When he spoke to Jonathan Bronfman, the two found themselves sharing symbiotic ideas. They saw a gap that others didn't. What if, they asked, we can build a company that focuses on serving only one market, and defines the standard of excellence in that market? That was the beginning of MARZ. the boundaries of visual effects on TV.

In this Podcast, Allan McKay interviews Lon about the history of MARZ and the company’s commitment to technology and talent, a philosophy that ensures high quality effects for television timelines.

For more show notes, visit www.allanmckay.com/234/.

Matti Haapoja is a YouTuber and a freelance Director of Photography. He has worked with some global brands such as Nike, San Pellegrino, Epidemic Sound, Rhino, and Visit Norway.  Originally from Finland, he is now based out of Toronto, Canada. 

Matti launched his YouTube Channel, originally called Travel Feels, in 2016. Initially, it was a creative outlet to feature his cinematic travel videos. But once he realized that there was a fast growing YouTube filmmaker community, he began sharing his filmmaking know-how, experience and tips. Since 2017, Matti became a full-time YouTuber and his Channel’s name became eponymous.

Matti continues to contribute knowledge to the filmmaking community via his online courses and free content.

In this Podcast, Allan McKay and Matti Haapoja give advise on how to be a successful business and a brand, the benefits of social media -- as well as the power of having an audience -- and the importance of learning throughout one’s career.

For more show notes, visit www.allanmckay.com/233/.

Vico Sharabani is a Creative Entrepreneur, award-winning Creative-Director, Director, and Producer. He is also the Founder and CCO of The-Artery, a New York based media production company that creates high-end visual content for brands, feature films, commercials, digital experiences, art instillations and more.

As one of the most notable Flame artists in the world, Vico is the winner of the first ever Autodesk Flame Award recognizing his vast contributions to the VFX industry over the past 25 years. Vico’s portfolio includes a wide range of commercials for fortune 500 companies such as Mercedes-Benz, Nike and AT&T, music-videos for Beyoncé, Coldplay, Niki Minaj, KanYe West, and work on dozens of films such as Wes Anderson's The Grand Budapest Hotel, Ocean’s 8, Tower Heist and Sex and The City, to name a few.

Servicing the advertising and entertainment industries for 30 years, Vico is heavily involved in the management of projects across creative, production and technical endeavors. He is also involved with the TED community “Ads Worth Spreading”, Co-Organizer of TED X East, and completing the EMBA program at the Berlin School Of Creative Leadership.

The Founder of The-Artery Vico Sharabani talks about the evolution of the VFX industry, the importance of acquiring new skills -- but not letting each solitary capability to define an artist -- and finding your own way of being successful!

For more show notes, visit www.allanmckay.com/232.

Having unrealistic expectations of yourself -- that everything is going to be flawless and you’re just going to win -- is the easiest way to derail yourself and see yourself as being a failure. It’s these micro wins that we should be celebrating. But how many of us give up on something because we didn’t get traction right off the bat? With that mindset, we’re more likely to set ourselves up to fail.

It’s all about perseverance. The people that have success are the ones that didn’t give up. They kept at it and looked at failure as part of the process. The more we see wins and losses as just data, the more we can analyze them to get better results. We need to cut our losses and double down on what works. Experience is just learning from our mistakes. This is why experience is everything.

If you want to be good -- you’ve got to be prepared to fail! In this Podcast, Allan talks about using failure as data to get better -- and the importance of perseverance!

For more show notes, visit www.allanmckay.com/231.

A lot of us tend to struggle in the beginning of our career. And the thing is a lot of us are clueless as to why that’s happening. You have to start thinking differently. Sending out your reel is just not enough.

When it comes to the beginning of our career, it’s about figuring out what else we can do. How can we get that first win? How do we get our foot in the door, no matter what it takes? It’s not about cutting a reel, sending it out and keeping this linear path. It’s about doing whatever it takes, hustling and entering through the side door; rather than expecting to be hired just because you showed up.

In this Podcast, Allan talks about breaking into the industry, seizing opportunities that have long-term benefits to your career, leveraging your skills -- and figuring out ways to stand out.

For more show notes, visit www.allanmckay.com/230.

Before joining Mr. X, Trey Harrell was a 15-year ad industry veteran. Trey’s forte for balancing the technical with the artistic has garnered numerous ADDY (American Advertising Federation) and New York Art Director’s Club Awards for his work as both an Art Director and Creative Director for broadcast, web and print ads.

Trey joined Mr. X in 2010 to work exclusively as the Lead Lighting TD on Tron: Legacy. Supervising the lighting department for many years, he’s been instrumental in re-engineering Mr. X’s lighting and rendering pipeline. Since joining the team at Mr. X, Trey has won two Canadian Screen Awards for Achievement in Visual Effects, including a 2013 CSA award for Resident Evil: Retribution, and a 2014 CSA Award for The Mortal Instruments: City of Bones. For his work as a CG Supervisor on Guillermo’s Del Toro’s television series, The Strain, Trey received a Visual Effects Society nomination in 2016. He also acted as the Digital Effects Supervisor on Paul W.S. Anderson’s Resident Evil: The Final Chapter. He continued to exceed the client’s expectations with his work on Guillermo del Toro’s feature The Shape of Water. 

Mr. X’s VFX Supervisor Trey Harrell talks about the skills that a filmmaker must acquire, how having a versatile background guarantees longevity in the business -- and why you mustn’t build your entire career on a single piece of software!

For more show notes, visit www.allanmckay.com/229/.

Superheroes, fantastic beasts, dinosaurs of the 21st century, and galaxies undiscovered. Cinesite is an award-winning digital entertainment studio with over 25 years of experience and work on hundreds of film, TV and streaming productions. Its visual effects and animation artists breathing life into filmmakers’ visions. Cinesite’s skilled artists and engineers work closely with filmmakers and studios to achieve the impossible, whether through complex visual effects or conceiving and realizing entire animated films.

They tinker, mold, and craft to blow things out of the water -- sometimes literally. Cinesite makes this magic happen from its studios in London, Montreal and Vancouver; and since 2015 they have also welcomed the VFX masters at Image Engine Design (Vancouver) and Trixter (Munich & Berlin) to the Cinesite family.
 
Recent credits include No Time to Die (of the James Bond franchise, to be released in April 2020), Avenue 5, The Northwater, Fate: The Winx Saga. Other credits include: Rocketman, Avengers: Infinity War, Murder Mystery, Adrift, Ant-Man & the Wasp and Mary Poppins.  

Cinesite is a supporter of Access VFX, a non-profit organization comprised of 40 leading companies which helps people get into the industry and focuses on actively pursuing and encouraging inclusion, diversity, awareness.

Allan McKay interviews Cinesite’s Head of Assets Tim Potter and VFX Supervisor Salvador Zalvidea about the direction of the industry, how to break into VFX and get great insights into compositing and the end of the pipeline.

For more show notes, visit www.allanmckay.com/228/.